Lynne- Rachel Altman, "Connecting (Attachment Disorder Meets Borderline Personality Disorder)," 2015, sintered glass, hardware 11 x 11 ½ x 17 ½ inches

Lynne- Rachel Altman, "Keeping it Together (Anxiety Disorder)," 2015, sintered glass, hardware, 12 x 5 x 5 inches

Cassandria Blackmore, "Ceto Series," 2016, reverse painted glass, 22 x 22 inches

Randy Colosky, "WH-Kiln 1-1," 2016, opaline lead crystal on aluminum table, 10 ½ x 18 ½ x 11 inches glass; 45 x 23 x 16 inches overall

Randy Colosky, "WH-Kiln 1-2," 2016, opaline lead crystal on aluminum table 12 ½ x 15 ½ x 8 ½ inches glass; 46-3/4 x 24 x 12 inches overall

Randy Colosky, "Pandora Seed," 2012, ink on paper, 22 x 22 inches (paper), 28 x 28 inches (framed)

Randy Colosky, "Accumulation 4," 2013, ink on paper 22 x 22 inches (paper); 28 x 28 inches (framed)

Randy Colosky, "Liliana 4," 2012, ink on paper, 22 x 22 inches (paper), 28 x 28 inches (framed)

Cathy Cunningham-Little, "Four-Square," 2016, glass, acrylic, wood, 37.5 x 37.5 x 4 inches

Cathy Cunningham-Little, "Four-Square," 2016 (side view)

Lewis deSoto, "Ellipse Tide," 1982/2014, Epson K3 inks on paper from Kodacolor negative, 48 x 48 inches framed, edition 2/11

Lewis deSoto, "Observatory," 1984/2014, Epson K3 inks on paper from Kodacolor negative, 20 x 20 inches, edition 1/11

Lewis deSoto, "Temple," 1986, Epson K3 inks on paper from Kodacolor negative, 20 x 20 inches, edition 1/11

Lewis deSoto, "Wave System," 1983/2009, Epson K3 inks on paper from Kodacolor negative, 48 x 48 inches framed, edition 1/11

Mikey Kelly, "14.125," 2014, ink on paper, 30 x 22 inches

Mikey Kelly, "14.176," 2014, ink on paper, 22 x 30 inches

Mikey Kelly, "14.188," 2014, ink on paper, 22 x 30 inches

Penny Olson, "Bon Tempe 1281.3a," 2016, archival pigment print on metallic paper mounted onto Dibond faced with UV protecting laminate, 40 x 40 inches, ed. 1/5

Penny Olson, "Parr 463," 2016, archival pigment print on metallic paper mounted onto Dibond faced with UV protecting laminate, 20 x 20 inches, ed. 1/5

Penny Olson, "Parr 3995," 2016, archival pigment print on metallic paper mounted onto Dibond faced with UV protecting laminate, 20 x 20 inches, ed. 1/5

Mel Prest, "Almost Invisible," 2014, acrylic and phosphorescent acrylic on panel, 14 x 11 x 2 inches

Mel Prest, "Low January Sun," 2014, acrylic and fluorescent acrylic on panel, 14 x 11 x 2 inches

Mel Prest, "The East is Blue," 2014, acrylic and fluorescent acrylic on panel, 14 x 11 x 2 inches

Mel Prest, "untitled (unfashion)," 2014, acrylic and phosphorescent acrylic on panel, 14 x 11 x 2 inches

Mel Prest, "Wind Harp Mouth," 2014, acrylic on panel, 14 x 11 x 2 inches

Mel Prest, "Zedonk," 2013-2015, acrylic on panel, 14 x 11 x 2 inches

Sabine Reckewell, "Float," 2016, nylon webbing, nails, wood strips, 138 x 270 x 192 inches approx (11 ½ x 22 ½ x 16 feet approx)

Jenn Shifflet, "Star Dust," 2016, hand silvered kiln formed glass; 16 x 16 inches each; 48 x 48 inches

Jenn Shifflet, "Drops of Light," 2015, hand silvered kiln formed glass, 19 x 17 inches

Jenn Shifflet, "Gradiant Adrift," 2016, hand silvered kiln formed glass, 18 ½ x 17 inches

Jenn Shifflet, "Lavender Light Drops," 2016, hand silvered kiln formed glass, 24 x 24 inches

Jenn Shifflet, "Silvered Light Swarm," 2016, hand silvered kiln formed glass, 18 ½ x 17 inches

Stephen Whisler, "Walking the Bomb," 2016, wood, steel, aluminum and rubber, 41 x 86 x 20 inches sculpture

Randy Colosky,"Rise and Fall," 2014, engineered ceramic block, 60 x 12 x 6 inches